Jing Xing
Sunday, 10 September 2006
Today I went to see The Protector, a martial arts movie with more bone-breaking in one five-minute scene than the average loan-shark enforcer sees in a lifetime. Normally I wouldn't mention a mindless cinematic excursion like this, but the lead baddie is played by a buff Chinese chick named Jing Xing. Xing owns the Shanghai Ballet, so she's successful in addition to being a solid hottie. She kicks ass in the movie.

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tennoryuujin - That's probably because...   | Registered | 2006-09-10 15:48:23
...she was once a he, and a politically very powerful he at that.
garyguy   | Registered | 2006-09-10 16:09:31
^
That's all kinds of creepy...
rastra   | Registered | 2006-09-10 16:23:58
gross :shock:
gimme size   | Registered | 2006-09-10 16:41:05
She also played a kickass chick named Lara (an obvious Tomb Raider riff) in the incoherent Matrix-like Korean movie "Resurrection of the Little Match Girl". Thought she was a fairly obvious transsexual myself, but I admit I've been fooled before. Ah, Bangkok.
Lingster - Oh...   | Super Administrator | 2006-09-10 17:11:38
Well, I guess that explains the great muscular definition.
shadar   | Registered | 2006-09-10 20:33:56
When I lived in Asia, the rule when you were out drinking was that if a chick looked way too good to be true - tall, fit, killer figure, prettiest face you've ever seen, physically confident and sexually uninhibited - then she was a He-She. Given the smaller hip structure of many Asian women, guys can be very convincing.

I always thought that was a really crude joke to play on guys who look for many of those traits in women, but only find them in Asia with He-Shes. I mean, I know the operations are really good and the hormones and implants do the rest, and I've heard some amazing tales from those who gave it a try, but I'm just not going there. I can forget the fact that the muscles and over-the-top overt sexuality is being fed by a Y chromosome and many years of testosterone dominance, no matter how much estrogen is in 'her' system now.

Shadar
DJTalyn - Colonel Jin Xing   | Registered | 2006-09-11 20:14:46
Jin Xing (金星) is a ballerina and modern dancer from the People's Republic of China, and current owner of the Shanghai Ballet. She is the first transwoman officially recognized by Chinese government. As a man, Jin attained the rank of Colonel in the People's Liberation Army as part of the military's dance troupe.
She is ethnic Korean. Born in Shenyang in 1967 and study in local Korean elementary school. Her father works in police department. She was praised as highly intelligent, and had won Abacus contests many times. She expressed high enthusiasm in dance performance. At age of 9 she joined People's Liberation Army to receive dance and military training. She experienced strong transsexual desire early. She said she would stay outside during raining, and wish lightning strike would turn her body into female. Later she championed the national dance contest with a piece of Central Asian ethnic dance. She went to New York to study modern dance, and then traveled Europe. She returned to China at age of 26, and received Sex reassignment surgery at 28. Her left leg was paralyzed for a while after the surgery. After the recovery she went to Shanghai to choreograph and train students. At age of 33 she adopted a son.
Her film debut was in the Korean movie Resurrection of the Little Match Girl in 2002. In 2005, she appeared in the Thai movie Tom-Yum-Goong as the villain Madam Rose.
Although usually credited as Jing Xing, the proper pinyin spelling is Jin Xing. The compound word 金星 "jīnxīng" itself is the name for the planet Venus.

From the pictures I've found, Jin does not seem all that muscular to me, even by natural born female standards.

Pictures of Jin...
http://www.filmakers.com/images/ColonelJin.jpg
http://news.xinhuanet.com/english/2003-12/15/ xinsrc_dc23702c9f7d4
98cb771a685d012ee8b_
016.jpg
http://www.randomhouse.de/content/author/image/6558.jpg
http://www.randomhouse.de/content/edition/covervoila/043_00216_rs_60652...
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Copyright (C) 2007 Alain Georgette / Copyright (C) 2006 Frantisek Hliva. All rights reserved.

 
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