[trilliwig]

I liked the hamburger in the Liberty Raye sketch.  I suppose there were various redeeming qualities in the others as well! 😀

[trilliwig]

Hehe, they're all so cute.  How can I decide between them!

[trilliwig]

I agree, many thanks for taking the time to share your great Shulkie finds, ze fly!

[trilliwig]

A few more to complete this segment of Veldt's growth…

Oh no!  Has she plateaued?  *waits in suspense*

Thanks again for sharing, DevonCory!

[trilliwig]

WOW. FREAKING. ZA. 😮

(And how in blazes does one pronounce that last name of hers?)

Probably similarly to the word "joyous".  Much like what I feel about AlexG's find. 😀

[trilliwig]

Originally the sequence was about 15 pages long, but I wanted more. I wanted details, I wanted close-ups, I wanted to see what the character felt. So after a few months, I commissioned him again, to add a few more panels and fill a few gaps. In the end we ended up with a 30 pages monster.

Heh, have I mentioned I like the way you think?  30 pages, wow!  I can only hope FMF does half as well with my next commission.  The first 5 pages definitely excite me with what's to come.  Veldt's expressions and close-ups do add to the experience.  I wait with bated breath to see the rest of it!

[trilliwig]

Aww, one year?  But what if I don't want to wait that long?  😛

Nice photoshopping, and the stats are provocative!  And a little scary….

[trilliwig]

More Fett art, always a good thing.  😀

[trilliwig]

Sorry for bringing this old thread back to the top, but hey, there's stuff on the first page of this forum from last year.

I think the music really depends on the mood. I think FMG by itself has no inherent tone by itself. But I've done some RP themes in both WoD and DND games with FMG in it that varied.

Very true; the mood can take on the full spectrum of the presenter's imagination.

I've always thought Push It, by Garbage would be perfect for the more darkly seductive sequences.  Not to mention Shirley Manson seems like an ideal subject for some FMG herself!

From the classical side of things, it's probably far too easy to use an overly dramatic piece.  So I'll try to restrain myself. 🙂

For the triumphant birth-of-a-goddess type transformations, I'd propose Pines of the Appian Way, from Ottorino Respighi's Pines of Rome.  The first 2 minutes and 4 seconds of quiet orchestral pulsing can be excerpted as needed, to set the mood, but after that point, each individual orchestral beat should accompany an appropriately epic pulse of growth!

And for lushly beautiful transformations (imagine the whole thing filmed through a blur filter and rose lighting, if you must), I've never encountered a more beautiful piece than the first 5 minutes of music from Scene III of Maurice Ravel's ballet Daphnis and Chloe.  It was originally meant to describe a sunrise, but FMG tends to arouse the same feelings in me, so I hope Ravel would excuse my appropriation of his poetry. 😀

[trilliwig]

Here's a woman who built herself to be an iron-willed warrior, who lives a life of restraint and denial, so that her emotions and her passions do not fuel the demon dwelling in her. When she loses control, when her lust and her anger allows the demon to manifest through her body, do you really think she's going to look… cute? :-

I don't think so.

Yeees.  Lust?  Anger?  These things I see not!  Only sweetness. 😛  More ferocity in form and demeanor would probably have been more fitting.  Still, a piece of art that does not hit all the right notes is better than no art. 😀  Thank you!

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